USED IN THE PRODUCTION OF MAKING HIS GRAFFITI DIFFERENT BY ADDING CUT-OUTS, GRAFTING TECHNIQUES TO CUTTING AND PASTING (digitally) AS MUCH AS I COULD (and what I needed out of a selection of various pieces of photographs from a cd comprised of many images of close-ups of all my amoxenyte (etca) fp to (GM) artwork that I felt would do the job in and well).
SO YOU ARE SEEING EVERY PIECE OF SETTING AND BACKGROUND PIECES OUT OF OTHER CUT-OUTS OF THOSE PHOTO'S BEING USED AND MATCHED UP "BACK AND FORTH" UNTIL I GOT IT LOOKING LIKE I WANTED.
Then I added segments and scraps from other digital corelations out of text to fix, turn - twist- rotate - paste - shade digitally - shrink - collect and reprint until all the scraps fit greatly and went together as I hoped and if not. "I removed other objects I didn't want to keep and put them all on this palette for possible other uses. If needed in near and further future.
Shading was mostly last to do. And those zigzagging lines were part of the fill-ins and shading.
abstract of tose aerosole amor art beach front beautiful bell bellisimas black bruising technique brush brush color brushed building roses bull drinking cackle cackling calypso can spray catch cavern sheen cement wall coated collecting color crashing cut-out to paste decorative walls digital corelation feather paint foam foto galleria gallery graffiti grafting grafting tulips hat hobbit hunt jeffart jump at over lords of fire modelo natural nature out croping out post painted painting palet palette partyphotographing pink pose property pruining raised rose roses scene scripting to crackel sea beach shaking vigorisly sheen and clean side of building tattoo TOSE_AS740 TOSE_AS740 palette to shading tossed trapping trimming up and down weapons of disguise zapping
On May 10 2014 at United States 14 Views