USED IN THE PRODUCTION OF MAKING HIS GRAFFITI DIFFERENT BY ADDING CUT-OUTS, GRAFTING TECHNIQUES TO CUTTING AND PASTING (digitally) AS MUCH AS I COULD (and what I needed out of a selection of various pieces of photographs from a cd comprised of many images of close-ups of all my amoxenyte (etca) fp to (GM) artwork that I felt would do the job in and well).
SO YOU ARE SEEING EVERY PIECE OF SETTING AND BACKGROUND PIECES OUT OF OTHER CUT-OUTS OF THOSE PHOTO'S BEING USED AND MATCHED UP "BACK AND FORTH" UNTIL I GOT IT LOOKING LIKE I WANTED.
Then I added segments and scraps from other digital corelations out of text to fix, turn - twist- rotate - paste - shade digitally - shrink - collect and reprint until all the scraps fit greatly and went together as I hoped and if not. "I removed other objects I didn't want to keep and put them all on this palette for possible other uses. If needed in near and further future.
Shading was mostly last to do. And those zigzagging lines were part of the fill-ins and shading.
TOSE_AS740 palette art nature natural rose raised tossed coated brushed painted cut-out to paste abstract of tose black pink hunt catch up and down palet palette digital corelation zapping to shading scripting to crackel cackle cackling jump at over sea beach beach front property cement wall out post out croping side of building aerosolecan spray painting photographing graffiti tattoo bruising technique calypso roses cavern sheen sheen and clean decorative walls TOSE_AS740 jeffart building roses grafting tulips trimming pruining grafting trapping collecting pose foam color beautiful weapons of disguise lords of fire hobbit crashing shaking vigorisly foto gallery galleria bellisimas bull drinking feather paint brush brush color scene party modelo amor hat bell
On May 10 2014 at United States 493 Views